By David Stouck
Arthur Erickson, Canada's preeminent thinker architect, used to be well known the world over for his leading edge method of panorama, his genius for spatial composition, and his epic imaginative and prescient of structure for individuals.
Among his such a lot celebrated large-scale works are 3 that helped to outline Vancouver's city panorama: Simon Fraser college, on Burnaby Mountain; the Robson sq. advanced on the middle of the town; and the beautiful Museum of Anthropology on the collage of British Columbia.
Travel used to be key to Erickson's inventive procedure; floating excessive above the clouds on prolonged airline flights, he made initial drawings on vellum together with his fine-point black felt-tip pen, designing influential works not just for different components of Canada-including Toronto's broadly prominent Roy Thomson Hall--but for websites within the united states, Britain, and the center and much East.
Erickson labored mainly in concrete, which he known as the marble of our instances, and at any place they seem, his structures circulate the spirit with their poetic freshness and their project to encourage. yet he used to be additionally a debatable determine, greater than as soon as attracting the ire of his fellow architects, and his expert achievements have been tarnished through the excesses of a classy own lifestyles that ended in a sequence of tawdry bankruptcies.
In a fall from grace that recollects a Greek tragedy, Canada's nice architect-a good-looking, based guy who lived like a millionaire and counted between his shut acquaintances Pierre Trudeau and Elizabeth Taylor-eventually grew to become homeless and penniless.
This first complete biography of Erickson, who died in 2009 on the age of eighty-four, lines the architect's lifestyles from its modest origins to his emergence at the international level. writer David Stouck, acclaimed for his previous biographies of Ethel Wilson and Sinclair Ross, demonstrates right here once more why his paintings has been praised as resourceful, incisive and compelling.
Grounded in interviews with Erickson and his relatives, acquaintances and consumers, in addition to the assets of intensive public documents, identify is either an intimate portrait of the fellow and a stirring account of the way Erickson made his structures paintings.
Beautifully written and fantastically researched, it's also a provocative examine the phenomenon of cultural heroes and the character of what we name genius.
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Additional resources for Arthur Erickson: An Architect's Life
Dr. ” The design by Florian Nagler provided an understanding of how to bring in these new demands and to implement them, but also to weave them into the demands made by the old building.
Verändere mich. Benutze mich. Die Fassadengestaltung ist umlaufend nahezu gleichbleibend, es gibt keinen erkennbaren, zentralen Zugang, keine nach außen sichtbare Repräsentanz und keine sichtbare Hierarchisierung – das sollte die äußere Ästhetik des demokratischen Lernens sein, die weit weg war von den Typologien des früheren Hochschulbaus, der die elitäre Würde der Bildung in seinen Fassaden spiegelte. Nach dem Wettbewerb wurden 1963 in zwei Ausschreibungen die Grundlagen der erhofften zügigen Realisierung geschaffen: Thyssen Krupp legte ein normiertes Tragsystem aus Stahlstützen vor und Jean Prouvé entwickelte in enger Abstimmung mit den Architekten ein Angebot von Fassadenelementen, die sich von innen quasi mit dem Schraubenzieher demontieren lassen, um sie an anderer Stelle des Gebäudes wieder einzusetzen.
In diesem Sinne lohnt es sich, auf die Lebensgeschichte eines komplexen Gebäudes zu blicken, dass in seiner Anlage auf modulare Flexibilität zielte und in der Tat einmal eine durchdringende Besserwelt beherbergen wollte. Konzeption der Freien Universität Berlin. Im Berliner Südwesten erwartet man erstmal keinerlei Großstrukturen. Das Auge schweift im wohlhabenden Stadtteil Dahlem über frei stehende Villen und Einfamilienhäuser. Seit 1962 dauert der Versuch, hier eine moderne, wegweisende Universität mit einem zentralen Gebäude zu versehen, dass diesem Anspruch gerecht wird.
Arthur Erickson: An Architect's Life by David Stouck